机器2016经典影评；
我们从虚无中来，又从虚无中去，之间的一切都是运气和掷骰子，是啊，一切甜蜜和痛苦都在其中体验了
没有繁复的人物关系和故事线索，也不走“狗血式”煽情之路，更无大牌明星演员来参演
伊不仅看男人渣的眼光是一流的，看男人才华的眼光同样女人们嘴里喊着自己是女王，但是，她们都是等待王子拯救的“公主”，都是卑微的低自尊患者，都是男权社会的受害者，但导演不是，她是男权社会的受益者，她利用了男权规则
2016印度纪录片《机器2016》剧情；
　　To the south of the Indian metropolis of Surat in Gujarat province lies a vast industrial zone that has been growing ever since the 1960s. Director Rahul Jain filmed the grueling daily routine in just one of the many textile factories there. In the factory, man and machine seem to have fused into one being. It is dark and dank, and barely any daylight penetrates the space. The labor is heavy and mind-numbing, and the work days seem endless. We are drawn into a gloomy world where the cacophonous beat of machinery sets the rhythm of toil. Jain is as interested in the mysterious connection between worker and product (the fabrics are treated mechanically, but also with love) as he is in the degrading conditions. Each shift lasts 12 hours, for adults and children alike, and wages are extremely low. Short interviews are interspersed throughout the observational sequences, some of which are captivating in their beauty while others are painful to watch – such as when we see a boy nodding violently in his struggle to stay awake. (From IDFA official website