装饰经典影评；
改编自阿瑟·艾普雷顿的舞台剧。由于导演罗伯特·阿尔特曼本人对印第安人的生活不如对艺人的生活熟悉，因此片中对19世纪末期美国艺人的生涯及其精彩的表演予以了出现了大量篇幅的描叙，而对于新加入的印第安人则是神秘主义式表现，二者的结合也是利益上的各取所需。印象较深的是时任总统的未听先拒。
而且她有关生育与血缘论调切割开的认知／意识，我是非常认同的
2014/11/5(三)19:10在中山大學管理學院B1 cm0052看的
1945法国爱情片《装饰》剧情；
　　Philippe Clarence, a famous Parisian dressmaker, seduces his friend's fiancee. But, for the 1st time in his life, this is for real. The film is also a sharp picture of the fashion world　　A philandering young dress designer plays fast and loose with the hearts of all the fair maidens he encounters, and leaves them in a Paris lurch. But when he meets the fiancée of his best friend, he falls deeply and truly in love with her. The girl is soon faced with two choices; marry the reliable fiancée whom she doesn't love, or run off with the dress designer with whom she is infatuated. She sees that she also has a third option and makes the wise choice...she rejects both. The dress designer is not too well equipped for accepting rejection, and he makes a bad decision.